Total Pageviews

Friday, February 24, 2017

How to design a logo: 10 tips for selecting an impactful brand mark

How to design a logo: 10 tips for selecting an impactful brand mark


ur logo should communicate your company’s story through a simple image. If you want that story to be a memorable one, your logo needs to make an impression. So how do you design a logo that will rock? Check out our logo creation checklist:

1. Communicate your brand values

RECORDING COMPANY LOGO
Logo design by Sava Stoic
Whether you’re working with an agency or a freelance designer, start by letting them get to know you. (Don’t panic. It’s not like you have to friend them on FB or anything!) Be sure to share your company vision, target audience demographics, and your brand’s obvious and implied benefits. They also need to know your brand-color and any colors associated with your brand. (If you don’t know yet, here’s a great resource for determining what colors your logo should be.) Don’t forget to tell them if you have any preference for fonts, symbols or pictures.
Once the designer has gathered all this information and magically transformed it into a few concepts, (how do they do that?) here’s how to judge what you’re seeing:

2. Match style to industry

Is the logo design appropriate for your company or business? For example, a law firm intent on establishing trust and authority would not want to use a shark as a mascot in their logo. (Unless they have an ironic sense of humor.) Make sure your logo reflects your industry, as well as your brand.
COW LOGO
Logo design by bo_rad
GOLD BULLION LOGO
Logo design by Terry Bogard
COLLECTION AGENCY LOGO
Logo design by Hermeneutic
Serving both coffee and ice cream, the Moo Café’s lighthearted logo speaks to the fun atmosphere patrons can expect to find at this establishment. (Also, what could happen if one eats nothing but ice cream.)
The logo for the Piranha Collection Agency has some teeth…literally. What first appears as an abstract design is actually representational of a piranha, a fish (and by extension, a collection agency) that will pick clean the bones of its prey.
A gold bullion company utilizes a classic wordmark logo that looks distinguished, while the “E” in the company name represents gold bullion bars.
Try researching your competition’s logos to see what you’re up against. Keep in mind that you do want to maintain some of the same design elements as others in your industry, but you don’t want to be so industry-generic that your logo becomes white noise to your audience.

3. Strive for simplicity

Is the design straightforward and clean? Can you instantly identify what the words and images are communicating? Or does the logo look cluttered and chaotic?
SQUARE LOGO
VET LOGO
Logo design by tasa for Veteos
Medium LOGO
Square, a financial, merchant and mobile payment services company, uses a monochromatic design that looks like a push button to convey the ease of using their services. The shape of the logo also physically looks like their product.
Simplistic with wonderful use of negative space, the Veteos logo tells a story. The dark patch over the dog’s left eye is cleverly suggestive of a video “Play” button.
Medium, the online publishing platform, makes effective use of a lettermark logo. Shifting color gradations across the four planes of the letter “M” symbolize “overlapping strains of conversation. A conversation whose tone and direction shift as the planes come into contact with each other.”
Without complex design or an abundance of text to accompany them, each of these logos instantly communicates a brand story in very basic way .

4. Be unforgettable

Does the logo contain graphics, color combinations or symbols that make an impression? If you saw the graphic without the text, would you remember the business associated with the logo? Think McDonald’s golden arches, Nike’s iconic swoosh and Coca Cola’s classic script. According to AdWeek, “Memorable logos are 13 percent more likely to get consumers’ attention, 7 percent more likely to make them want to learn more about the brand, and 6 percent more likely to suggest a company is more unique than others in its category.
BURGER RESTAURANT LOGO
Logo design by spoonlancer
TOAD AND CROWN LOGO
Logo design by Chris Kay
by bo_rad
Bold color choices and a fun graphics make the Mr. Burger logo interesting and memorable. A recognizable mascot logo like this works well for branding across a wide range of marketing materials and promotional items.
Playful graphics used in the Urban Toad logo successfully merges the symbol of its toad namesake with the imagery of a crown, a symbol of excellence. From apparel to merchandise, the logo’s clean lines and double entendre meaning make it instantly identifiable and unforgettable.
alo’s brightly colored bird logo, with aesthetically pleasing lines and small feathered detail, pops on any background. Bold colors and contrast make for an enduring brand image.
Strong use of color, contrast, symbolism and simplicity work together to create a logo that your target market will not soon forget.

5. Aim for a long logo life

Will your logo design endure for decades? Some logos hit the nail so squarely on the head, that they remain the same recognizable brand symbol for generations. However, unless you’re plugged into the psychic network, it’s hard to know if your logo will stand the test of time. Ensuring logo longevity is not an exact science, but sticking with classic designs and avoiding trends goes a long way toward giving your logo a long life.
JIF PEANUT BUTTER JAR
via Smucker’s
MASTERCARD LOGO
via Mastercard
Jif Peanut Butter’s logo design is childlike with bold colors and big letters. Along with its tagline, “Choosy moms, choose Jif,” it has been successful since its creation in 1966.
Even successful, familiar logos long associated with a brand do change. The key to maintaining that important brand association and thus, an enduring logo, lies in keeping core elements the same. After 20 years, Mastercard recently refreshed their logo, preserving the recognizable red and orange overlapping spheres, but moving the text to beneath the symbol and updating the font. (The drop shadow used with the old font was so 1996!)
A timeless logo will stick with your company for a long time. Done right, it’s also something that can be slightly tweaked with the times, keeping its essence but also staying modern and fresh.

6. Make sure the design is flexible

Is your logo scalable or does it lose its quality if its enlarged or reduced in size? Can you take the logo from merchandise to marketing? From billboards to labels? Or will the logos message get lost in translation when there are differences in size, resolution, or materials?
monogram logo for bra company
Logo design by ludibes
The logo for S&S industries adapts nicely whether positioned vertically or horizontally. It also seamlessly transitions from paper to product. Because of its simplicity, converting the image and text from full-color to a monochromatic line drawing is easy.
HVAC LOGO
Logo design by Freshinnet for Rye Heating and Air Conditioning
A combination wordmark/mascot logo like the one for Rye HVAC is easy to replicate across a wide spectrum of small to large marketing mediums, from business cards to a truck wrap.
Make sure you consider all the materials and mediums that will carry your logo and how it will adapt to each. A too-complex design may make these transitions problematic. You can always ask your designer for several, slightly modified versions for different purposes.

7. Design for your customer, not for yourself

Does your logo click with your target audience? For example, you might be a big, burly, motorcycle-riding mama, but if your target market is comprised of tween girls, you should create a logo for their sensibilities, not yours. Ask yourself if your logo design reflect trends or styles that they might find appealing…or appalling? (Or GROSS!)
BAR/NIGHTCLUB LOGO
Logo design by Cross the Lime
CAFÉ LOGO
Logo design by Mojo 66
RESTAURANT LOGO
Logo design by RedLogo
All three of these logos are intended to represent eating and drinking establishments, yet all are distinctly different, designed to appeal to their very specific target customers. Who do you think would eat at each place? Pretty easy, right?
Make sure your logo connects with your ideal customer just as seamlessly.

8. Be unique

Is the logo original and one of a kind? Nike, Coke, Apple all have unique, and instantly recognizable logos. But more than being recognizable, they’re distinct, and stand out from the competition.
COKE LOGO
Barq’s root beer logo
FANTA LOGO
Coca Cola’s classic script wordmark logo and bold red color are truly unique when compared with other busier, multi-colored soft drink logos.
The original Apple, Inc. logo, which featured Issac Newton sitting next to a tree, only lasted a year and was replaced in 1976.
The rainbow apple was Apple, Inc’s logo for over 22 years until Steve Jobs changed to a monochromatic look when returning to the company in 1998.
Apple, Inc’s current logo. Apple uses multiple variations of their monochromatic apple, also using black, white and gray.
Similarly, there are about six billion computer companies with some variation of a blue logo. (Well…that might be a wee bit of an exaggeration.) Yet, even with its variation in color throughout the years, the Apple logo remains distinctive and iconic.
And while you do want your logo to be relevant to your industry (see #1) it’s also important that it stand out from the competition. One way to achieve originality is to look for a design trend in an unrelated industry and apply it to your own. For example:
ART GALLERY LOGO
Arg gallery logo by Trails
REAL ESTATE LOGO
Real estate logo by Sava Stoic for Illuminate Real Estate
CONSTRUCTION COMPANY LOGO
Housing company logo by Arthean for Tulipanhusene
Logos for art galleries are often very creative and abstract. Using that same type of design style for an industry that typically uses more representational imagery (such as real estate or construction) can be an original and distinctive approach.
What creative elements can you take from other industries to help your logo stand out from the competition?

9. Make your message clear

Does your logo design convey a clear meaning or message? Does it accurately reflect your brand? Does it represent your company values? The ideal logo is self-explanatory.
LEARNING CENTER LOGO
Logo design by Naomi Theresia for Safari Kids Learning Center
NON-PROFIT LOGO
Logo design by artsigma
PET CARE LOGO
Logo design by Angela Cuellar for Perfect Peace Pet Care Company
The silhouettes of wild animals journeying across the pages of an open book connect with the Safari Kids Learning Center company message about the adventure of learning.
A logo for Givzee, an online platform for charitable donations, uses an abstracted “G” to look like a person’s arms are protectively wrapped around another. The focus on the act of charitable giving and the human element is particularly effective when it mirrors the photo it accompanies.
The image of a sleeping cat and dog in the Perfect Peace Pet Care logo instantly creates the message of peace and contentment this company wants to send.
Each one of these logos are easy to understand because they perfectly reflect their company’s mission and service.

10. Look for eye-catching imagery

Attractive, pleasing, beautiful… these are all subjective terms. As you assess your design and try to determine if your logo is visually appealing, there are a few key things too look for:

Use of negative space

RETRO LOGO
Logo design by Cross the Lime
polar bear dental logo
Dental logo by ks_projekt
Negative space (the space around and between the subject) can lend great visual appeal, as the viewer recognizes that what isn’t there is actually part of the picture. Not all logos make use of it, but since it often makes people stop and think about your logo for a moment, it can be an awesome way to get customers to remember your brand.

Color

CHILDCARE LOGO
Logo design by Purpleri for Little Peanut Club
CHILDCARE LOGO
Logo design by Purpleri for Little Peanut Club
People associate colors with a wide range of emotions and stereotypes, so your logo colors should not only reflect your brand’s personality, but the emotion you want it to evoke in your target. The bright colors used in the Little Peanut Club logo are a whimsical and playful choice, perfect for its intended audience. Not only is choosing a hue important, you also want to consider whether your logo works in black and white, as well as full color.

Typography

WEDDING PHOTOGRAPHER LOGO
Logo design by GoodEnergy for Something Blue Wedding Photographer
NEST LOGO
LAW FIRM LOGO
Logo design by RotRed
Fonts, like colors, communicate a message of their own. A logo for Something Blue Wedding Photography contains a script font because it looks elegant and formal.
Cooper Law Partners utilizes a more classic serif type to give their logo a business-like appearance.
Nest—a company that offers home security and energy efficiency products—uses the “n” from their wordmark to create a door to the house in their app icon, tying the two images together and beautifully illustrating what they do.
Imagine any of these logos with a Comic Sans font, and you’ll understand why your type choice can literally make or break your design. (Plus, if you ask your designer to use Comic Sans, you’ll probably never hear from them again.)

Cleverness

SNAPCHAT LOGO
SLACK LOGO
Never underestimate the impact and appeal of a clever logo. Snapchat, the image messaging mobile app, allows users to share images that are short-lived and self-deleting. What better image to communicate this functionality, than a ghost?
Slack, an instant messaging and collaboration system, plays on pop culture using the ubiquitous hashtag (if you don’t know what that is, ask any 12-year-old to explain it) which also represents what they do: connect people from different teams, allowing them to better communicate and work together.
Now that you know what to look for when judging your design, you too can have a logo that both rocks and rolls!
Ready to design the perfect logo for your business? Why not launch a logo design contest or find an amazing freelance designer to work with?

99 descriptive design words you should know

99 descriptive design words you should know

Designers have a vocabulary all their own. If you’re getting design work done, knowing the right terminology will help you communicate with one another and get the results you envision. (We promise it’s a whole lot easier than high school French.)

Take a look at these design terms. Study them. Commit them to memory. Eh… That’s too much work. Just bookmark this page and use it as your design word cheat sheet.

Design 101

Design by robbyprada

Composition and layout

Composition is the arrangement of design elements that form a whole image. A successful composition attracts the viewer and guides their eye across the design. In visual art, you might hear this referred to as “form.” In graphic design, it’s often called layout. Composition is made up of a number of different visual design elements, including balance, proximity, alignment, repetition, contrast and white space.

Balance

This isn’t your ability to walk a straight line after three beers. In design, balance involves the placement of elements on the page so that the text and graphic elements are evenly distributed. There are three ways to achieve balance: symmetrically, asymmetrically and radially.

Symmetrical logo by Mad pepper

Aymmetrically balanced logo by artsigma

Radially symmetrical logo by stevanga

Symmetrical

Symmetry is achieved when all design elements are equal on both sides of a central line

Asymmetrical

When graphics and text are not equal on both sides of a central line, a design is said to be asymmetrical. In the example above, there is still balance, but there are graphics on one side and text on the other

Radial

A radial design is one in which elements radiate from a central point, creating balance.

Proximity

The way in which design elements are grouped or spaced on a page is called proximity. Great design groups like elements together.

Alignment

Alignment is the position of text or graphics, whether left, right, centered or full justified.

Repetition

To maintain a unified look, designers repeat elements throughout a design. (Repetition is also defined as the number of times your toddler asks for a cookie.)

Contrast

Contrast is achieved by including elements within the design that look measurably different from one another. A designer may use color, shape, texture, size or typeface to create contrast.

White space

White space—sometimes called negative space—is the part of the design that is unmarked by imagery or text. It’s also what Midwesterners call their depressing, winter landscape.

rule of thirds

Rule of thirds

The rule of thirds is a technique that designers use to determine focal point. Using a grid of three rows and columns, focal points are indicated where the lines converge. Designers use this as a guide to determine where to place important elements in their design.

Grid

A grid is a series of intersecting vertical, horizontal, angular or curved lines used to organize graphic elements on a page, as well as in relation to one another.

Hierarchy

In design, hierarchy is the organization of elements by level of importance. Newspapers, magazine spreads and movie posters are good examples of the use of design hierarchy. Headlines (also called display type) are usually placed at the top, while subheads and body copy fall underneath.

boy and giraffe

Scale

Scale is the size of an object in relation to another object (not that thing in your bathroom that you curse at each morning). Scale can be used to create interest and grab a viewer’s attention.

Thumbnail sketch

When conceptualizing, a designer will often create small, rough drawings—thumbnail sketches—to explore many ideas.

Mock-up

A mock-up is a real or digital model used to test early design ideas and see how they could look in the real world.

Photography & Artwork

Resolution

The detail of an image based on the number of pixels is known as resolution. An image looks clearer when it has a higher resolution.

DPI

DPI stands for “dots per inch,” which is a measure of a printer’s quality. For high-quality printing, 300dpi is recommended. For example, a 300dpi image at 1200×1800 pixels will become as a 4×6 inch print.

PPI

PPI stands for “pixels per inch,” which is a measure of pixel density used by electronic image devices. You’ll likely see this used with scanners, cameras, TVs or monitors. Learn more about the difference between DPI and PPI.

bleed and trim

Bleed

Sounds pretty gruesome, but bleed is when a design actually extends past its printed edge so there’s no chance of white borders when it’s trimmed down after printing.

Trim

Trim size is the final size of a printed piece after it has been trimmed from its page. Trimming is executed along crop marks that show where to cut.

Pixels

Pixels are square-shaped dots that make a digital raster image (and a really bad movie starring Adam Sandler.) The more pixels an image has, the higher its resolution.


Crop

A designer can cut out or crop unnecessary parts of an image to improve framing, highlight a specific subject or alter the image’s aspect ratio.

Stock photo/art

Stock photos and art are licensed images created by a third party. Using stock images saves on the cost of a having a professional photo shoot. Check out some of our favorite places to get good, free stock imagery.

Typography

Font types

Most fonts fall into one of four different font types.

serif

sans serif

script

slab serif

Serif

Serifs are the small lines and hooks at the end of the strokes in some letters.

Sans serif

Sans means “without.” A sans serif font has no serifs.

Script

Script typefaces use a flowing, cursive stroke.

Slab serif

Slab serif is distinguished by thick, block-like serifs.

Components of type

All fonts are made of the same basic components.


parts of typography

Ascender

An ascender is the part of a lowercase letter that rises above the main body of the letter. Think “b” or “h.”

Baseline

All font characters sit on the baseline, the lowest point of all uppercase letters and most lowercase letters.

Descender

A descender is the part of a lowercase letter that descends below the main body of the letter. Think “g” or “p.”

Median/x-height

The median or x-height is where most lower-case letters should reach their maximum height. It is set from the height of the x in a font.

 Font spacing

The vertical and horizontal spacing of a font is often altered to change its appearance.

kerning leading tracking

Kerning

Kerning is the adjustment of space between pairs of letters in the same word. Certain pairs of letters create awkward spaces, and kerning adds or subtracts space between them to create more visually appealing and readable text.

Leading

Pronounced “ledding,” leading (also known as line-height) is the space between two lines of text.

Tracking

Not to be confused with kerning, tracking is the adjustment of space for groups of letters and entire blocks of text. Tracking affects every character in the selected text and is used to change its overall appearance.

Font case

Typically, characters are available in two forms.

Uppercase

The large, capital letters of a typeface are uppercase. They’re also used by your mom to accidentally YELL AT YOU WHEN SHE TEXTS YOU.

Lowercase

Lowercase refers to the small letters of a typeface.

Small caps

Small caps—or small capitals—are uppercase characters that are the same height as lowercase letters. They are used to prevent capitalized words from appearing too large on the page. Want an example? Open just about any book and look at the opening words of a chapter.

Font style

Beyond spacing and case, fonts can also be altered by scale, weight and style.

Point size

Point size is the size of text. There are approximately 72 (72.272) points in one inch.

Font weight

Font weight specifies the boldness of a font.

Italics

When characters slope to the right, they’re in italics, a visual technique used to draw attention to specific words or sentences within a paragraph.

 Widows & orphans

Widows and orphans make designers very sad. That’s because they are poor, lonely words at the beginning or end of a paragraph left dangling at the top or bottom of a column and separated from the rest of the paragraph.
text widow
text orphan

Lorem ipsum

Lorem ipsum (also known as dummy text) is used as a placeholder that will be swapped out later with actual copy. The Lorem ipsum text comes from “The Extremes of Good and Evil,” written by Cicero in 45 BCE.

Color

Color theory

The study of how colors make people feel and their effects on a design is known as color theory. Color theory is used to explore the best types of colors to work in different design instances—for example, choosing a pastel scheme for a website that needs to feel soft, or picking red and yellow for a magazine ad that needs to evoke energy.
hue
tint
tone
shade

Hue, tint, tone and shade

Hue is pure color. Tint is a hue with white added. Tone is a hue with gray added. Shade is a hue with black added.

Saturation

Saturation is defined by the intensity of color.

Palette

A palette is the range of colors used in a design. These are colors that work well together and are often aesthetically pleasing. Designers will defines a palette for a project to create consistency and evoke a specific feeling.
warm colors
cool colors

 Warm and cool colors

Warm colors can be found on one half of the color wheel (reds, oranges, yellows and pinks). Cool colors occupy the other half (blues, greens and purples).
Monochromatic palette
Grayscale palette

Monochromatic

A monochromatic color palette uses one single color.

Grayscale

A monochromatic color palette based on gray is called grayscale.
analogous color scheme
complementary color scheme
triadic color scheme

 Analogous

Colors that are adjacent to one another on the color wheel (i.e. red violet, red and red orange) are analogous.

Complementary

Complementary colors are opposites on the color wheel. This relationship will produce visual tension and “shock.”

Triadic

Triadic colors are three colors evenly spaced on the color wheel. One colors dominates, the second supports, and the third accents.
gradient
opacity

Gradient

Gradient is a gradual change from one color to another. (For example, blue transitioning gradually to green).

Opacity

Opacity is synonymous with non-transparency. The more transparent an image, the lower its opacity.
cmyk
rgb

CMYK

CMYK is a 4-color printing process made up of cyan, magenta, yellow and key (black). CMYK colors in print will never appear as vibrant as RGB colors on screen because CMYK creates color by adding color together (making images darker) while RGB colors come from light.

RGB

RGB stands for red, green and blue, the three colors of light typically used to display images on a digital screen.

Pantone

Developed by Pantone Corporation, a professional color company, Pantone is the most widely used, proprietary color system for blending colors. The system includes colors that cannot be mixed in CMYK.

Web & digital

 Web page elements

Most web page designs include combination of these elements.

website elements gif

Header

Design elements repeated at the top of every page is called a header.

Navigation & navigation bar

Navigation is a roadmap to the most important parts of a website and should be visually consistent across all pages. A navigation bar is a set of links repeated on each page that often includes links to pages like “About us”, “Products,” “Contact us” and “Testimonials.”

Breadcrumb trail

Breadcrumbs are navigation elements that generally appear near the top of a page to show users the section hierarchy of the current page.

Body text

Body text is the main written content of a page.

Links

Any word or an image can be a link that can take users to another page.

Sidebar

A sidebar is the left or righthand column of a page typically used for either vertical navigation links or advertising. It may also contain site search, subscription links (RSS, newsletters, etc.) or social network buttons.

Banner

Typically located at the top of a page or in a sidebar, banners are advertisements that link to other websites.

Footer

Design elements repeated at the bottom of every page is called a footer.

HTML

HTML stands for HyperText Markup Language. This is the standard coding language for websites that creates all of the fonts, colors, graphics and links you see online.

Landing page

A landing page is a single page that appears in response to search engine result. Landing pages are used for lead generation.

User interface (UI)

User interface is the design of applications for computers, mobile devices and other devices to maximize their usability and the user experience.

Wireframe

Basic images that display the essential functions of a website are known as wireframes. Designers use wireframes to show how a page or site works.

Image file formats

An image file format is a standardized way to encode art, graphics and photos digitally.
image file formats

Vector graphics

Vector graphics are small graphics that use math to display images. They can be enlarged without losing quality and are essential for cross-platform designs (i.e. billboards, business cards, etc.).

AI

AI stands for Adobe Illustrator document. This is a file format developed by Adobe Systems to represent single-page vector designs.

EPS

EPS stands for Encapsulated Post Script. This is a resizable file format that is commonly used for vector designs. Due to its high quality, it’s commonly used with print elements such as logos, business cards or brochures.

PDF

A PDF is a Portable Document Format developed by Adobe that can be universally downloaded and viewed by any computer. PDFs are most suitable for sharing previews of work and are universally viewable.

Raster graphics

Raster graphics are composed of pixels on a grid, where each pixel is assigned a color value. They are good for assigning special effects, color correction and manipulating photos. They are resolution-dependent, which means that images cannot be enlarged without degrading their quality.

GIF

GIF or Graphics Interchange Format is a raster file format that supports animation and transparency. GIFs can only display up to 256 colors, allowing for very small file sizes. (PS: It’s pronounced, “JIF” as opposed to the widely-accepted pronunciation, “GIF,” according to GIF creator, Steve Wilhite.)

JPEG

Joint Photographic Electronic Group is also known as JPEG, the most widely used raster file type for web-based designs. JPEGs are compressed files that load quickly. You’ll typically see them used for emails, banner ads, online photos, and pretty much anything else online. Unlike GIFs, they cannot have a transparent background (a white background will be added automatically).

PNG

PNG stands for Portable Network Graphics, a web-based format that does not lose quality when compressed. PNG files were created to improve on the quality of GIF files.

PSD

PSD or Photoshop Document is the uncompressed working raster image file created by designers in Adobe Photoshop.

TIFF

TIFF stands for Tagged Image File Format, a common format for exchanging raster images between applications. TIFF produces a higher quality image than a JPEG or PNG, and is widely used among publishing industries and photographers. Don’t confuse it with a “tiff” or a “rift,” which happens when you send your designer eight rounds of revisions.

Logo types

All logos are built out of typography, shapes and/or images, and typically fit into one of these six standard logo types. Each will give your brand or business a different feel. These six types can also be combined with one another to create even more unique logos.
circle logo
Abstract logo design by goopanic
EMBLEM LOGO
Emblem logo design by Neatlines for Palouse Pint
LETTER MARK LOGO
Lettermark logo design by arkum

Abstract mark

An abstract mark is a logo that uses the emotive qualities of color and form to convey your brand. Instead of being a recognizable image like an apple or a chicken, abstract marks use shapes to represent your business.

Emblem

Emblem logos uses frames and shapes to enclose the company or organization name. Think badges, seals and crests.

Lettermark

Lettermark logos feature one or more stylized letters (for example, a company’s initials) to identify the brand. Famous lettermark logos include those for IBM, CNN, HP and HBO.
giraffe logo
Pictorial logo design by SpoonLancer
moose MASCOT LOGO
Mascot logo design by Nico Strike
wordmark mexican restaurant logo
Wordmark logo design by nnorth

Pictorial mark or symbol

Pictorial marks and symbols are non-abstract, visual icons that represent your company name or service. You can see this with the Apple logo, the Twitter bird and the Target bullseye.

Mascot

Mascot logos rely on a character or brand spokesperson to represent a business. Famous mascots include Colonel Sanders, the Kool-Aid Man and Mr. Peanut.

Wordmark

A wordmark relies on custom typographic treatment of text to illustrate a brand. Think VISA, Google or Coca-Cola.

Phew, you made it! Now that you know your design words, get started with a design contest today.